Cole 4040 Ribbon Mic - Harmonica session
Monday, April 23rd, 2007So studios should try new ways to record sound and just the other day we did that. We had a Harmonica session to finish up the The Tone Kings upcoming release and here is the set up we used to get a darker, grit tone out of a harp. The mic we used on the Fender vibro-champ was a Coles 4040 studio ribbon mic. This is the first ribbon microphone that Coles have developed using the very latest magnet technology. Like the 4038, the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up. There is also no discernible stray magnetic field, making it very easy to mount head to head in a “Blumlein” (crossed figure-of-eights) stereo configuration. The 4040 has some unique features, for a start it is gold plated, but more importantly the ribbon/magnet assembly has its own in built shock mounts separating it from the main body of the microphone that can be secured for transit. The Coles sat back from the fender vibro-champ about 8” so we could dial in both the vibrato and capture the hardwood room tones from this ribbon mic. We also used a non-traditional harp mic as we discussed this for a while we finally settled on the AKG D112 because it picks up the lows very well. Fabian stood basically by the side of the amp so we could created his grawling sound in the phrasing of this track. At the end of the session the sound of the harmonica stands on its own in the mix.
So here is the recording chain on what we used to create this large powerful harmonica tone: AKG D112 with the harmonica – Fender vibro-champ with thick vibrato – Cole 4040 Ribbon Mic on the hardwood floors – Neve mic-pre with EQ’ – Custom LA2A compressor.